I was up late watching this good and bad documentary DVD called The Psycho Legacy, which is about the Psycho films with emphasis on II, III and IV. The qualities of the documentary itself are kind of all over the place, but it's very enjoyable seeing some of the actors and production people talking about the films, not least our own Mr. Charles Pogue.
My fondness for the A&E series Bates Motel, and what with being between seasons and all, had me hankering lately for some kind of a fix, and returning to these sequels after many years seemed just the ticket. It's more satisfying than I would have thought, especially as I had forgotten much of the ins and outs of each sequel.
There's a lot of material this thing covers well, and other stuff that's oddly sketchy for no apparent reason. The use of faux-Herrmann music throughout is off-putting, and it goes oddly unremarked upon, even while Richard Band's faux-Herrmann scores in the Re-Animator films is being discussed. Bizarre... but, you know, no more bizarre than Universal's own downright offensive use of faux-Herrmann music in the menus of their DVD and Blu-ray releases of Psycho and other Hitchcock films. It's all rather mind boggling. And as I am growing tired of typing faux-Herrmann -- there being no handy abbreviation for same -- I'll stop now.