Did BK write this? It’s from a review of Encores! Light in the Piazza. Thanks to the “American Idol” aesthetic that has infected many new Broadway musicals, audiences are now encouraged to applaud as soon as a singer hits a high note and some technician in the back of the theater artificially pumps up the volume. What a pleasure to see an audience sit silent and spellbound whenever Zavelson, Gish and Miles sing. Repeatedly, the well-deserved ovations were held until after the very last note.
Quote from: John G. on June 23, 2023, 08:57:14 PMDid BK write this? It’s from a review of Encores! Light in the Piazza. Thanks to the “American Idol” aesthetic that has infected many new Broadway musicals, audiences are now encouraged to applaud as soon as a singer hits a high note and some technician in the back of the theater artificially pumps up the volume. What a pleasure to see an audience sit silent and spellbound whenever Zavelson, Gish and Miles sing. Repeatedly, the well-deserved ovations were held until after the very last note.Whoever wrote it has clearly been a dear lurker, don't you think?
Quote from: John G. on June 23, 2023, 08:57:14 PMDid BK write this? It’s from a review of Encores! Light in the Piazza. Thanks to the “American Idol” aesthetic that has infected many new Broadway musicals, audiences are now encouraged to applaud as soon as a singer hits a high note and some technician in the back of the theater artificially pumps up the volume. What a pleasure to see an audience sit silent and spellbound whenever Zavelson, Gish and Miles sing. Repeatedly, the well-deserved ovations were held until after the very last note.That was written by Robert Hofler for The Wrap.
Did BK write this? It’s from a review of Encores! Light in the Piazza. Thanks to the “American Idol” aesthetic that has infected many new Broadway musicals, audiences are now encouraged to applaud as soon as a singer hits a high note and some technician in the back of the theater artificially pumps up the volume. What a pleasure to see an audience sit silent and spellbound whenever Zavelson, Gish and Miles sing. Repeatedly, the well-deserved ovations were held until after the very last note.That was written by Robert Hofler for The Wrap.
I did get to see her once. It was in Spiderwoman, which I loved.
Surely George must be home from his Phase 24 games.
Now the House GOP want to expunge Trump’s two impeachments.
https://www.youtube.com/watch?v=riahCt6Cpq8Here are some highlights from the current production.The young female lead in the role of Clara, Anna Zavelson, graduated from high school only last year.I love her voice.
