You know what?
When DR Elmore gets up on stage and talks, he sounds pretty damned smart.

He had a very receptive audience and a pretty good talk host, even if she did try at first to pronounce Robert Russell Bennett's surname as
Benét. But the talk was entertaining and enlightening and just what we all needed in preparation for watching (and especially listening to) the ballet. It went off beautifully, and at the intermission when DR Elmore was spoken of in the most glowing terms on the stream itself, our audience let him know exactly how much his contributions were appreciated. In my view, it was a rewarding time for all.
I sat with Rob Berman and adopted son Joshie and their other friends, and they all went on about how much damned music there really is in a ballet, and how wonderful the orchestration was. DR Elmore's inspirations, such as making one number a tango, another a Charleston, etc., and his scoring for a wide selection of instruments (for a classical ballet) like piano, guitar and banjo, a drum set in addition to a standard array of percussion, were just perfect. If there are details he'd like to further improve, that's fine, but this was a SUCCESS and that conclusion was unanimous.
And the reimagined ballet itself? I think it was wonderful and that all the "creatives" had their collective heads in just the right places for this one.