In summer 1998, I was working with Harvey and Tom on Mirette at Goodspeed when they lost the rights to Grovers Corner, their musical adaptation of Our Town. The Wilder estate gave them so much time to mount a major production, and they had begged Goodspeed to stage it, butGoodspeed wanted Mirette, which I believe was workshopped there the year before. The director of one regional company had been trying to raise the money with another regional theratre. but the time had run out and Goodspeed was the last chance for Grovers Corner. The Wilder estate pulled the rights.
Something similar happened to Peter Foley; I don't remember the exact details. I believe there was a college per4formance in a New Jersey school, but after that, Dodie Smiths estate - or maybe the film compasny that produced the movie - pulled the rights. One of the last things I did for Peter was to orchestrate one of the songs from I Capture the Castle in the style of a 1930s dance band; he wanted it for his website. He was a dear friend, and I miss him enormously.