DR Tomovos, I'm listening to it as I type!
Good morning, all, especially my only early morning companion Tomovoz! DR George, thanks for the photos; I'm experiencing the feelings everyone on the West Coast feels when there's an East coast gathering of the acolytes. I wanna be there!
I, too, have been thinking about the stage directions debate from yesterday: on a first class production, the director probably has a share in the royalties; an orchestrator is usually work-for-hire, although other deals and persentage shares have been known to be made. The amateur stock rights through Dramatists Play Service, French, Dramatic Publishing Company, I believe, are handled through the producer's office, and the script is usually the stage manager's copy. sometimes, as in the case of SUMMER BRAVE where William Inge revised the script of PICNIC to remove all of Josh Logan's "interference," the playwright will take the opportunity in his own publication to remove the director's traces. Joe Mantello, if I'm correct, is getting a royalty from LOVE! VALOUR! COMPASSION! in its amateur/stock edition, so he probably should have been flattered that he was being imitated. It was probably the viewing of the video at the NYPL Theatre Collection that was the final straw, and I believe something similar happened with the Promenade Theatre revival of PACIFIC OVERTURES in the 1980s because Harold Prince felt he had been too faithfully reproduced without consent.
London is where I want to own a flat.