I delivered everything, only to be told that we will indeed have to put every shot and its time code into the script. There has been much confusion over this within Disney, and I couldn't get a straight answer out of anyone. When I delivered, it seemed like we wouldn't have to, then I was stopped by a very pushy individual who said he wanted it done - fine by me, they have to pay me to do it. I think this is some new guy just trying to be completely anal in a way they've never been before. He tried to make it seem like I should have known this, but finally admitted it was not clearly stated in the producer guidelines (it's not stated at ALL) and that they're going to amend the guidelines from here on in. I don't think other producers will be so happy about it - it's really just busywork - they have complete edit lists of every shot and music cue burned onto a CD - to have to type them into small columns on the script is assinine and pointless, and I think they will find that to be the case - and, the joke is they will NEVER use them - they'll go right to the EDLs (edit lists) on the CD, as they've done forever. I pointed out to this pushy gentleman that my editor and sound man, who've been doing Disney spots FOREVER, had never heard of such a thing as a comprehensive shot list in the script. What's in the script is the dialogue used, the written voiceovers, along with show numbers and time codes for any dialogue and certain shots called out. These script templates aren't designed to have comprehensive shot lists, and they'll go from being two pages to twenty pages, depending on how many shots. For a lot of their producers, it won't be a prob because most of their promos are shorter than what I did, and don't contain anywhere near the number of shots I used. Because I'm actually creative and made them really kinetic and good spots, in the :60 there are probably 53 different shots, and in the :30 there are 27. That's a lot of shots to list in a script. But, tomorrow at four, that's exactly what I'll be doing.