Notes from last night's northwest regional musical theater auditions:Bizarre pair of "most frequently performed" shows: Last night the bulk of auditioners did tunes from either
Last 5 Years (predictable) or.... (are you ready?).....
Oliver! In fact, more people did things from Oliver! than any other show. Weird.
Other unusual repeats: Several people did
Spark of Creation, but thankfully all of them had the score in C, which is the one I'm most used to. And one girl went a little starry-eyed when, after she handed me
Lion Tamer, I told her I knew the guy who produced Kristen's version.
What were they thinking department: One guy did a tune from the
Buffy the Vampire Slayer musical episode, a tune with such an illogical harmonic structure and tuneless shape that he basically self-destructed. One woman did a song from that
other Reefer Madness

and I don't mind telling you it fell completely flat. I of course let all the theater companies know about Oregon's "homegrown" version of Reefer.
Last night's "confound the accompanist" trend: copies with the bass clef of each page's final system lopped off. That's fine if it's a tune everyone knows, or if there are chord symbols above, but when it's something by La Chuisa I've never heard of (sans chord symbols), which has all sorts of "modern" chords

, I don't know how they expect me to intuit what the correct left hand notes are.