Good morning, all! I am tired, but I wil continue to be so until next weekend, after the Encores! orchestra reading. Today and tomorrow are Toyland days since this week and next are mostly about finishing the orchestra parts for Thursday.
When I return from downtown, I have to do more work on "Once In Love With Amy." The orchestra parts for the show are a mess. When Frank Loesser began Msic Theatre International in the early 1950s, he put Don Walker and Mathilde Pincus in charge of the music. In 1954, Walker notified Loesser that the WHERE'S CHARLEY? materials were in terrible shape and getting lots of complaints. This is because they were sending out the original parts, which had been through a tryout, two Broadway runs, which may have affected further orchestra changes, a tour, and a few stock productions. The parts, if they're like other original orchestra parts from the 1930s and 1940s, were most likely a mess of pasted and taped over cuts, pencil corrections and changes, and not easily legible. So, Walker and Pincus redid everything. They didn't work from the original full scores because those have vanished - I think they're buried in some Warner Brothers archive for the film version -so they worked from photostat copies of the materials from the Feuer and Martin (producers) office. And they simplified things. There are no doubles at all in the score now, although Jonathan Tunick remembers seeing the show for his birthday in 1949 and watching the bassoon player switch to a clarinet.
Mathilde did a piano-vocal score based on the parts, wherein she refers to Clarinet 3 and Harp, although there are no harp and clarinet 3 parts in the current rental materials. Also, in 1948, the show had vocal arrangements by Gerry Dolan, but on its Broadway return in 1951, the vocal arrangements were new and by Herb Greene. So the issue of chorus parts becomes another can of worms.
In 1998, I put the score back together from the orchestra parts and, working quickly, noted a lot of errors and suggestions. In "Once In Love With Amy," the flute part is clearly the old clarinet, so at Thursday's reading we'll hear the number played with flute and then the number again with my suggested clarinet fixes.
So, I have to write the clarinet part this weekend.
I need a day to myself to sleep late, do nothing and regenerate.
TOD: Monsieur Verdoux