Finished the mixes, and am now listening to an upcoming master again - opinions sharply divided on this score, but I think it's one of the best from its decade and one ripe for rediscovery - especially as the score was kind of butchered in the film - cut up into bits with many cues unused. Funnily, the people who were doing the most complaining about it in various Film Score Monthly threads, kept returning to the old CD over and over again - and it is completely addictive - but when the score is heard the way the composer wrote it it is a whole different ball of fish in a kettle.