TOD:
I didn't put them all together until after someone gave me a copy of A Broadway Christmas, which I have to admit was more important at the time because my friend Larry Moore did the orchestrations. And I had interviewed Liz Larsen. But I played that album for an entire year and wanted to know more about everyone on there.
Actually, I worked on
A Broadway Christmas, but that was Lanny Meyer's recording. Because of the tight schedule he asked me to write three charts, and I wrote them in June 1994, in a Dayton Ohio hospital where my mother was dying.
Every morning, I would drive to the hospital, check in with my dad and brothers, visit a bit with my mother who didn't know who any of us were; she spent most of her time talking to dead relatives and complaining about being tethered. After seeing that all was status quo, I would go to the hospital cafeteria, commandeer a table, and spend the day writing. I would take breaks and visit my mother's room, then head back to the cafeteria. The next morning, on my way to hospital, I would Fed Ex to Manhattan the work I'd done the day before. On the day we buried my mother, I began "Fireworks/Together" for Sally Mayes' Comden and Green album.