I read a bunch of "Hello, Dolly!" reviews and they were smashing, save for the Wall Street Journal that BK alerted us to yesterday and which Jrand shared with us this morning.
After reading the other critical reactions, I have to say that the WSJ reviewer seems to think that "Hello, Dolly!" should have more "gravitas" to it than is on the stage in this production. I got the feeling he was looking for a "Les Miz" effect, or, possibly, something along the lines of "Phantom of the Opera" rather than Jerry Herman's totally wonderful hurdy-gurdy score.
He was particularly harsh about the quality of Midler's voice. Am wondering if he's ever heard Carol Channing's.