Good morning, all! Today is cleanup from yesterday's flood. Toyland has to wait till tomorrow (a Jerome Kern reference). I do have to run the Kelli O'Hara chart to Chelsea Music, but that's on hold till I hear about what's happening in the building today with yesterday's events.
Dear Friend BK, everyone's a critic and everyone's got an opinion, as you encourage all of us to do and as I see on every other board I look in on. The web has created a lot of Frankensteins, but even before the web, I was amazed at how many mediocre critics flooded the New York media, especially in smaller newspapers. The music critic for the late New York Native would present as his review a listing of the musical program with little to no criticism. I never once got a bad review on a New York City Gay Men's Chorus concert because he never offered one. While I certainly didn't want a bad review, I just wanted a review: I know when my work stinks, and sometimes a negative review can teach you a thing or two besides humility or why the phone never rings. In ACT ONE, when "Oonce In a Lifetime" closed in tryouts, a stagehand's criticism "I wish the show weren't so noisy" gave Moss Hart the idea of how to rewrite and fix Act Two.
As to your play DECEIT, it's popular theatre and not "serious drama," and you have to be punished. However, if a critic only wants to review Brecht and Beckett, he'd better know them really well.
TOD:
CD: Mrs Henderson Presents, Guy Haines, Babes in Toyland
DVD: Swimming With Sharks, Die Meistersinger (Met broadcast)
VHS: el cheapo porno