I have a conundrum and it requires me revealing the new Kritzerland release (replacing Lady Oscar) - I need opinions.
For those who have Laurette, you know I love incidental music from plays and our next release (not for publication) are two incidental scores from plays, including what is considered to be the most classic 20th century play. That music is composed by a major film composer who also did the film version of the play. The second score is by one of my personal favorite composers (composed one of the best scores of the 1960s) to a play based on a famous foreign story and then classic film. Now, the music from the classic play had to be mastered from acetates, which is all that was available (at least that I could locate - who knows what might turn up some day, although I would doubt a tape source would ever turn up, unless it was just acetates put on tape). The acetates, which appeared to be in okay shape, were just very very noisy, had a little groove distortion, etc. The mastering guy did a really good job cleaning it up, but, after listening to it last night, it's still sounds a little dicey to me. So the question becomes does history outweigh sound issues? The intention was at make this a 15.98 release like Laurette and the first Herrmann, both of which came from acetate or vinyl sources.
The problem with this one is that, unlike Laurette, there are only five or six instruments, so it's easier to hear the problems. But the music is wonderful - the second score is in stereo and will sound fine. And the CD will run over sixty minutes. Please let me know what you think.