Topic: KRISTER KRITZER AND THE KILLER IN THE BLACK HOODIE (Read 18293 times)

TCB · « **Reply #120 on:** July 11, 2012, 01:49:40 PM »

Page five

bk · « **Reply #121 on:** July 11, 2012, 01:51:15 PM »

Crazy morning, but I think that's all done now. I had to deal with CDs arriving without anyone telling me they were arriving - that won't happen again. Then I had a sandwich and no fries, then picked up some packages. It's REALLY hot here today, but I have the air on and it's comfy in the house.

TCB · « **Reply #122 on:** July 11, 2012, 01:52:10 PM »

Quote from: Jrand61 on July 11, 2012, 10:46:32 AM

Quote from: Dan (the Man) on July 11, 2012, 10:43:12 AM
Quote from: bk on July 11, 2012, 09:08:35 AM
Quote from: John G. on July 11, 2012, 08:06:22 AM
TOD: What is the worst sound you've heard on an original cast recording, BK?

I have heard plenty of OBCs that I consider aurally dead, so flat that they bore the ear. Seussical was one. The recording is inert, yet I was pleasantly surprised by how vibrant and wonderful the music was when I heard it in the theater.

Bat Boy is terrible-sounding, completely dead. And, I hate to say it, the new recording of Follies, which people are drooling over on the various boards, is not to my liking at all - recorded in a dead room, no reverb (that I can hear) added - that's how to take and orchestra of twenty-eight and make them sound like nineteen. The vocals are dead, the dialogue is dead - when I was listening to our remixes, I'd occasionally A/B them with the first Follies release and then the new recording - it was - illuminating.

That's another thing that can kill an OCR for me--inclusion of segments of dialogue. I son't mind a lead-in or a brief exchange. But recordings like ANNIE 2, VICTOR/VICTORIA, and the latest A LITTLE NIGHT MUSIC and FOLLIES are filled with it. It disrupts the listening experience for me.

I know what you mean. That Broadway Cast Album of WHO'S AFRAID OF VIRGINIA WOOLF? didn't leave ANY room for the songs.

ROTFLMAO

Ron Pulliam · « **Reply #123 on:** July 11, 2012, 01:52:15 PM »

Quote from: George on July 11, 2012, 11:59:21 AM

Quote from: Ron Pulliam on July 11, 2012, 08:41:30 AM
Quote from: Jrand61 on July 11, 2012, 07:27:15 AM
Last night's Family Night went well....of course the man with the MOST people in the audience......whose wife had the video camera on him....walked out and promptly skipped about four pages of dialogue.

Was anyone able to get things back on track? Or did the play continue without the revelations of the missing four pages?

I was in a local production of "Amadeus" where 15, count 'em, FIFTEEN pages were cut! It was opening night (a very long story) and there were a couple of people whose only scenes were in those 15 pages! They took their bows but didn't perform that night.

I was in a production of "Ten Little Indians" performing the role of Philip Lombard. At one point three-quarters of the way through, a friend who played Blore skipped several pages. It was final dress and we had to play it as if for real. I carefully adlibbed something and gave him his original cue hoping he'd glean that he'd jumped ahead. He came in with the same "several-pages-later" line. I adlibbed some more, addressed him by character name, and then gave him the cue again. He just looked at me totally confused. The director stopped the play and explained to him what he had done. He came back and said, "I thought we were supposed to play this as if it's a performance and move on." I laughed and explained: "Yes, Lewis, but if we had continued your way we'd have had an extra person on the stage. You skipped a murder that would have just left three of us and my next line addresses the death that has not yet happened."

All the peformances went smoothly with little "looks" when he got the correct line each night!

bk · « **Reply #124 on:** July 11, 2012, 01:52:54 PM »

I find it vastly amusing that dear reader Pogue, who used to have lots of folks here read and enjoy his musings and posts, now doesn't post here ever because he thinks Facebook is all about him. Note to Pogue: You had many more readers here - no one sees his posts except the same two people who always respond to them. It's so funny that people think they're reaching a vast number of people there. Come back, little Pogue - you're much better off here.

TCB · « **Reply #125 on:** July 11, 2012, 01:58:49 PM »

Quote from: Jrand61 on July 11, 2012, 10:49:47 AM

Thank you DR TCB for mentioning it to begin with.....you spurred me to action, and the show will be better for it. I shall take a photo if it works.

You are most welcome. I believe it was Photo #13 that convinced me that I needed to speak up.

TCB · « **Reply #126 on:** July 11, 2012, 02:01:56 PM »

Quote from: John G. on July 11, 2012, 08:06:22 AM

TOD: What is the worst sound you've heard on an original cast recording, BK?

Patti LuPone

Just kidding!

TCB · « **Reply #127 on:** July 11, 2012, 02:14:17 PM »

Quote from: FJL on July 11, 2012, 11:59:01 AM

Quote from: Jrand61 on July 11, 2012, 10:46:32 AM
Quote from: Dan (the Man) on July 11, 2012, 10:43:12 AM
Quote from: bk on July 11, 2012, 09:08:35 AM
Quote from: John G. on July 11, 2012, 08:06:22 AM
TOD: What is the worst sound you've heard on an original cast recording, BK?

I have heard plenty of OBCs that I consider aurally dead, so flat that they bore the ear. Seussical was one. The recording is inert, yet I was pleasantly surprised by how vibrant and wonderful the music was when I heard it in the theater.

Bat Boy is terrible-sounding, completely dead. And, I hate to say it, the new recording of Follies, which people are drooling over on the various boards, is not to my liking at all - recorded in a dead room, no reverb (that I can hear) added - that's how to take and orchestra of twenty-eight and make them sound like nineteen. The vocals are dead, the dialogue is dead - when I was listening to our remixes, I'd occasionally A/B them with the first Follies release and then the new recording - it was - illuminating.

That's another thing that can kill an OCR for me--inclusion of segments of dialogue. I son't mind a lead-in or a brief exchange. But recordings like ANNIE 2, VICTOR/VICTORIA, and the latest A LITTLE NIGHT MUSIC and FOLLIES are filled with it. It disrupts the listening experience for me.

I know what you mean. That Broadway Cast Album of WHO'S AFRAID OF VIRGINIA WOOLF? didn't leave ANY room for the songs.

Is there any way to point out that there is indeed singing in the play without sounding like a frigging know-it-all?

Guess not.

"I'M NOBODY'S HOUSEBOY....... NOW!"

TCB · « **Reply #128 on:** July 11, 2012, 02:44:42 PM »

Quote from: George on July 11, 2012, 11:58:52 AM

Quote from: Jrand61 on July 11, 2012, 07:16:26 AM
Congrats to DR GEORGE.....interesting about your secretary.....was he removed from the board completely....or just from his office?

Thanks, Jack, and sadly, he is no longer on the the board at all. He didn't know or think to add his name for one of the officers-at-large positions in addition to secretary. Most people did that. The worst part is that his girlfriend DID put her name in for an officer-at-large position and she got it! If he'd done that, he probably would've gotten it and not her. So, the really big question is if she'll stay or not...or maybe she'll convince him to at least stay involved with the theater group. Other previously de-elected people have stayed involved. $:-\$

Girl friend? It just goes to show that there are no straight male secretaries!

ArnoldMBrockman · « **Reply #129 on:** July 11, 2012, 02:45:44 PM »

Well,I'm back from a Wonderful Time In Hilton Head,South Carolina.
Weather was kinda Hot-But It Didn't Rain. Restaurant's Were Great. And I missed All Of You At HHW. I also Missed The Great FOLLIES news. That Is Really Exciting. A Great Big Huzzah,Cheers and Champagne Overflowing To BK For Making It All Happen.
And Now Back To The Regular Routine..

TCB · « **Reply #130 on:** July 11, 2012, 02:49:22 PM »

Quote from: ArnoldMBrockman on July 11, 2012, 02:45:44 PM

Well,I'm back from a Wonderful Time In Hilton Head,South Carolina.
Weather was kinda Hot-But It Didn't Rain. Restaurant's Were Great. And I missed All Of You At HHW. I also Missed The Great FOLLIES news. That Is Really Exciting. A Great Big Huzzah,Cheers and Champagne Overflowing To BK For Making It All Happen.
And Now Back To The Regular Routine..

Hooray, Arnold has returned!

TCB · « **Reply #131 on:** July 11, 2012, 02:51:52 PM »

Hello, divarobbie!

ArnoldMBrockman · « **Reply #132 on:** July 11, 2012, 02:52:22 PM »

Quote from: bk on July 11, 2012, 12:12:34 AM

And the word of the day is: TUCKET!

And The Song Of The Day Is: BEAT OUT THAT RHYTHM ON A DRUM

John G. · « **Reply #133 on:** July 11, 2012, 02:53:54 PM »

Welcome back, ArnoldMBrockman.

TCB · « **Reply #134 on:** July 11, 2012, 03:01:39 PM »

Quote from: ArnoldMBrockman on July 11, 2012, 02:52:22 PM

Quote from: bk on July 11, 2012, 12:12:34 AM
And the word of the day is: TUCKET!

And The Song Of The Day Is: BEAT OUT THAT RHYTHM ON A DRUM

I believe that Mr. Hammerstein wrote the song title as "Beat out Dat Rhythm On a Drum."

ArnoldMBrockman · « **Reply #135 on:** July 11, 2012, 03:12:17 PM »

Quote from: TCB on July 11, 2012, 03:01:39 PM

Quote from: ArnoldMBrockman on July 11, 2012, 02:52:22 PM
Quote from: bk on July 11, 2012, 12:12:34 AM
And the word of the day is: TUCKET!

And The Song Of The Day Is: BEAT OUT THAT RHYTHM ON A DRUM

I believe that Mr. Hammerstein wrote the song title as "Beat out Dat Rhythm On a Drum."

I Believe You Are Correct...Therefore Corrected. Thanks

ArnoldMBrockman · « **Reply #136 on:** July 11, 2012, 03:15:26 PM »

Quote from: bk on July 11, 2012, 12:12:34 AM

And the word of the day is: TUCKET!

CORRECTED

And The Song Of The Day Is: BEAT OUT DAT RHYTHM ON A DRUM

TCB · « **Reply #137 on:** July 11, 2012, 03:18:06 PM »

Liz Callaway, Amanda McBroom and Faith Prince! - Saturday July 14, 2012

It is a pity that Jason Graae can't get any good gigs.

elmore3003 · « **Reply #138 on:** July 11, 2012, 03:23:58 PM »

Quote from: ArnoldMBrockman on July 11, 2012, 02:45:44 PM

Well,I'm back from a Wonderful Time In Hilton Head,South Carolina.
Weather was kinda Hot-But It Didn't Rain. Restaurant's Were Great. And I missed All Of You At HHW. I also Missed The Great FOLLIES news. That Is Really Exciting. A Great Big Huzzah,Cheers and Champagne Overflowing To BK For Making It All Happen.
And Now Back To The Regular Routine..

Howdy, DR ArnoldMBrockman!

TCB · « **Reply #139 on:** July 11, 2012, 03:24:29 PM »

Quote from: TCB on July 11, 2012, 03:18:06 PM

Liz Callaway, Amanda McBroom and Faith Prince! - Saturday July 14, 2012

It is a pity that Jason Graae can't get any good gigs.

Oops! Forgive me. Also, La Chanze!

bk · « **Reply #140 on:** July 11, 2012, 03:27:07 PM »

Listening to the mastered versions of the first seven tracks - they sound wonderful, but I'm not sure they sound more wonderful than what we sent - so I'm having him do two tracks that basically are just level-matched but that don't have the EQ he's used - just want to make sure we're being very true to the sound of our mixes. Usually the mastering EQ is subtle but will bring out nuances, and I just want to be sure the RIGHT nuances are coming out. Once I have the "vanilla" tracks I'l be able to toggle back and forth and make an easy decision.

FJL · « **Reply #141 on:** July 11, 2012, 03:27:40 PM »

Quote from: TCB on July 11, 2012, 02:14:17 PM

Quote from: FJL on July 11, 2012, 11:59:01 AM
Quote from: Jrand61 on July 11, 2012, 10:46:32 AM
Quote from: Dan (the Man) on July 11, 2012, 10:43:12 AM
Quote from: bk on July 11, 2012, 09:08:35 AM
Quote from: John G. on July 11, 2012, 08:06:22 AM
TOD: What is the worst sound you've heard on an original cast recording, BK?

I have heard plenty of OBCs that I consider aurally dead, so flat that they bore the ear. Seussical was one. The recording is inert, yet I was pleasantly surprised by how vibrant and wonderful the music was when I heard it in the theater.

Bat Boy is terrible-sounding, completely dead. And, I hate to say it, the new recording of Follies, which people are drooling over on the various boards, is not to my liking at all - recorded in a dead room, no reverb (that I can hear) added - that's how to take and orchestra of twenty-eight and make them sound like nineteen. The vocals are dead, the dialogue is dead - when I was listening to our remixes, I'd occasionally A/B them with the first Follies release and then the new recording - it was - illuminating.

That's another thing that can kill an OCR for me--inclusion of segments of dialogue. I son't mind a lead-in or a brief exchange. But recordings like ANNIE 2, VICTOR/VICTORIA, and the latest A LITTLE NIGHT MUSIC and FOLLIES are filled with it. It disrupts the listening experience for me.

I know what you mean. That Broadway Cast Album of WHO'S AFRAID OF VIRGINIA WOOLF? didn't leave ANY room for the songs.

Is there any way to point out that there is indeed singing in the play without sounding like a frigging know-it-all?

Guess not.

"I'M NOBODY'S HOUSEBOY....... NOW!"

FJL · « **Reply #142 on:** July 11, 2012, 03:29:15 PM »

Welcome back, Arnold!

Jane · « **Reply #143 on:** July 11, 2012, 03:32:49 PM »

Quote from: Jrand61 on July 11, 2012, 07:11:14 AM

Feel better vibes for DR DANISE.

Sounds like Craig is getting along just fine DR JANE - even after all the travel delays.

It does. I'm sure he is also working very hard. At least, having lived there before, he is familiar with the area and knows his way around.

Jane · « **Reply #144 on:** July 11, 2012, 03:33:29 PM »

Quote from: Jrand61 on July 11, 2012, 07:15:16 AM

Here is the photo album from "The Curious Savage" from the local newspaper. The picture on the front page is the one with "John Thomas" the doll being held up to kiss Mrs. Savage.

http://www.bannergraphic.com/gallery/12315

So....a little toy that is 50 years old - that thought its life was over......that had set in a room by itself for years.....had been shoved in a box and traveled across the country in a truck.....finds itself a STAGE STAR.....and on the front of the newspaper!!! I am sure he enjoys the lights, and I hope he doesn't get stage fright when he sees the big audience tomorrow night.

Jane · « **Reply #145 on:** July 11, 2012, 03:34:00 PM »

Quote from: Ginny on July 11, 2012, 07:15:32 AM

Wednesday morning greetings from downtown Hamilton, OH. Nancy and I are at the Butler County Records Center and Archives. She's working on genealogy and I'm being her gopher. I found my and Richard's marriage record (book 97A, page 408) and made a copy of it for her.

TCB · « **Reply #146 on:** July 11, 2012, 03:34:42 PM »

Quote from: bk on July 11, 2012, 03:27:07 PM

Listening to the mastered versions of the first seven tracks - they sound wonderful, but I'm not sure they sound more wonderful than what we sent - so I'm having him do two tracks that basically are just level-matched but that don't have the EQ he's used - just want to make sure we're being very true to the sound of our mixes. Usually the mastering EQ is subtle but will bring out nuances, and I just want to be sure the RIGHT nuances are coming out. Once I have the "vanilla" tracks I'l be able to toggle back and forth and make an easy decision.

Bravo! Whatever the Hell you said.

Jane · « **Reply #147 on:** July 11, 2012, 03:35:17 PM »

Quote from: Jrand61 on July 11, 2012, 07:54:42 AM

Better vibes for DR MATTHEW....

DITTO!

Jane · « **Reply #148 on:** July 11, 2012, 03:35:50 PM »

DR George, reading about the secretary I felt very bad for him.

Jane · « **Reply #149 on:** July 11, 2012, 03:37:52 PM »

Quote from: Jrand61 on July 11, 2012, 09:44:13 AM

It does look better onstage DR TCB....but Yes I know what you mean.

Thank goodness it looks better on stage

News:

Author Topic: KRISTER KRITZER AND THE KILLER IN THE BLACK HOODIE (Read 18293 times)

FJL

FJL