Good morning, all! I see a new name this morning, so welcome, DR (Dear Reader) Gooie! Tell us all about yourself.
I watched, and should have taped for Charlotte, the Disney Channel's HIGH SCHOOL MUSICAL, which struck me as a first draft needed a few rewrites before filming, but since I support the Promotion and Encouragement Of New Musical Theatre Audiences, I thank the Disney Channel for promoting a new musical for young viewers.
I'm going to Toyland this morning, and then I have a dance piece to work on for the Men's Chorus.
TOD: I loved Ben Bagley! He always made me laugh, and he had great anecdotes. Arthur Siegel was one of my favorite people as well, and he and Ben in the studio were like a more neurotic version of our BK and Vinny. Mayble like a cross between BK and Vinny and The Bickersons. Ben was very cheap, which made him a lousy record producer by the time I knew him, and he had very low standards on his later recordings. That said, I loved his earlier Revisiteds and Norman Paris' orchestrations. Ben's first Rodgers & Hart Revisited is still one of my favorite albums
I'm too close to the Unsung Musicals and Lost in Bostons to be objective, but I can tell you which cut songs on Lost in Boston caught my imagination or moved me the first time I heard them:
SWEETRIVER
WHERE DO I GO FROM HERE?
COME DOWN FROM THE TREE
JUST A MAP
I'm fond of a lot of the songs on all four Lost in Boston discs, and I'm quite proud of my involvement with them.