Well, in truth, it wasn't MY orchestrator. It was my first experience in the studio with this particular orchestrator - a very nice fellow, but not one I normally would want in the room if I was working with Vinnie. Too nitpicky too quick - I don't blame him in the least for his frustration, though, and we spoke on the phone afterwards and he was fine. I have two ways to go when this sort of thing happens on really rare occasions: In NY, it happened on one of the first albums we did, and I stopped the session, threw the engineer out of the room, and brought in another engineer. That, however, was a rhythm date and wasn't on the clock, as it were. I did think about calling Vinnie and telling him to come over, but that would have presented itself with a whole slew of other problems. So, I bit my tongue, and just got through the session and mix as best I could without letting tempers flare. I think that was the best way to handle it.